Skip to main content

Arrival

 Narrative


Equilibrium – Annie is sitting alone in a café, waiting for the father of her baby that she’s decided she doesn’t want to keep. She orders a coffee.

Disruption – A couple walks in, holding hands, and Annie sees them, causing her to start reconsidering her choice.

Recognition – Another costumer walks in with a baby in a stroller and Annie realises that maybe she does want this child after all.

Attempts to Repair – We see the internal conflict she’s having through the train sequence and her inner monologue where we hear her weigh up the positives and negatives of her decision.

New Equilibrium – Annie orders a decaf coffee, signifying that she has changed her mind, and is joined by a stranger that can be assumed to be the father. 

Lighting

The lighting in this film is grey and dull, showing that the location is England, as it is known for being wet and dark. 
During the train sequence, the lighting in the café shifts to darkness and there and flashing lights outside to give the impression that they are on a moving train. This represents her inner turmoil and battle with herself as a train can be loud and bustling. 

Costume, Hair and Makeup

The costume, hair and make-up is very plain and simple. Her jumper shows that she didn’t purposefully make an effort to look dressed up as there is no one she is trying to impress. She was probably too nervous to make herself overly dressed up. 

Setting

The whole film is set in a café in England. We can tell the location because of the accents and language of both the main performer and waiter.
The café itself looks clean and well kept. The lamps that sit on each table and the red seats could perhaps be mirroring the interior of a train, therefore making the train sequence more affective and believable.  
The café looks to be quite popular as people come and go quite frequently. 

Props

The main props used in this short film are a coffee cup and jug of milk. The coffee is not decaf, showing that she is sure about not keeping the baby. She gets lost in her thoughts whilst pouring the mil which causes her to overflow the coffee mug. The waiter is then over very quickly with a tray and a rag to clean it up, showing the efficiency of the café. It might also show that Annie is so visibly conflicted that the server may have predicted something like that to happen. 

Character Expressions

As there is very little dialogue because we are hearing the character’s thoughts, the actor must convey the emotion through facial expressions that match the voice over. If the tone of her voice becomes concerned then we see a worried look mirrored on her face.
She is a fidgety person, wringing her hands and shifting position constantly to convey her inner turmoil. Contrastingly, there are moments of complete stillness where her eyes glaze over and we see that she is completely lost in thought. 

Cinematography

The film is one continuous tracking shot, slowly zooming in on the main character. The camera does not change focus or position, only getting closer so that we can see more of the character expression and therefore emotion.
The camera starts behind the door, making everything unclear, until the server closes it and we see our protagonist. It starts as a wide shot to establish the setting and zooms to a close up to see her facial expressions when she is thinking intensely and her thoughts are spiralling. The closer the camera gets, the more pressure it adds on her as she feels as if the walls are closing in. When she is brought out of her thoughts by the server, the camera begins to zoom out, relieving some of the pressure as she is distracted.
The final shot is the father covering the camera and making the scene go black. 

Editing

There are no cuts in this apart from the final shot as it is one continuous take. The screen turns to black as the man walks in front of it, therefore using an invisible cut. This creates a seamless transition from the film to the credits. 

Sound

There is a constant diegetic background noise of customers sitting down for coffee and chatting. There is also dialogue between the server and Annie.
The thought tracking/inner monologue is non-diegetic as it is only heard in her head and not by any of the people around. The same goes for the train sounds.


Comments

Popular posts from this blog

Post 13: Sound

  Script The start of the film will be here, I wont be using the diegetic sound of the area because the wind was extremely loud on practice recording every time so instead ill use mild white noise. The heart beat will be a sound i use of YouTube link attached: Fades in from black Samuel walks into the train station, on his phone texting his friends, suddenly he receives a text that seems to put a serious expression on his face. He walks over to the benches to take a seat and wait for his train. He walks onto his train, taking a seat on a table seating area on the right hand corner of the carriage against the window, filmed using a  long cut following him from behind onto his seat stopping where the table starts. He puts his headphones on, and it fills the outside sound . Inner monologue begins “I can’t believe I’ve got myself into this.” Said Samuel in a disappointed and worried tone. “I just need to get this over with and then I can be done with it. I can’t let anyone know w...

Post 12: Final Props

  Props: - Phone - Over ear headphones - when he puts them on the diegetic sound will become distorted and muffled symbolizing when the inner monologue will start Images of the props I want to use

Post 10: Final casting

  List of the characters   Main character - Samuel although never mentions name in the short film. People on the train - I was hoping that the general public on the train would be ok with me just filming short clips of them. Samuels Mother - In a flash back   Short character profile Samuel (17 year old boy), who is also the character in the inner monologue, is an average boy from the UK who gets involved with the wrong people and has to come to a solution for his problem or face what has decided to do with himself, he is an average teenager with normal friends who has a history of being slightly mischievous, this trait he possesses has slowly grown over the course of his life and might eventually be landing him in a lot of trouble however he decides to reflect on who he would be hurting because there is still a part of him that cares.   Cast I decided to cast Sam for the role of Samuel because he suited the average British teenager well, he was ea...