Skip to main content

Operator


Narrative 

Equilibrium – A lady works as an emergency operator.

Disruption – She gets a call.

Recognition – She learns there is a fire in someone’s house.

Attempts to Repair – She calms the woman down and instructs her on what to do whilst telling the fire department where she is.

New Equilibrium – The lady is safe and she moves onto the next caller.

Gemma is the damsel in distress, trapped by the fire and in need of saving.
The operator is the hero, helping her to safety.
The fire is the villain. 

Lighting

The light is created by the computers on the operator’s desk and a small lamp. This creates both a calming contrast to the terrifying situations that they have to navigate, but also creates an ominous glow.
It makes it seem like an interrogation light, adding pressure onto the operator, signifying that it is all down to her to save this woman and her child. 

Costume, Hair and Makeup

The costumes are formal uniforms to show that they are in a serious environment and are working professionals. They have logos from the company. 

Setting

The setting is a 999 operating room where people with emergencies call for assistance and advice. It is night and in the United Kingdom. We never see the other side of the call as the camera stays on the operator.  

Character Expression

The actor playing Gemma has to rely slowly on her voice as we never leave the operating room and only hear her through the phone. She is very distressed, screaming and begging.
The operator keeps a calming voice and expression until Gemma stops replying. She gets panicked, raising her voice. By the certainty of her voice, you can tell she’s done this hundreds of times before.
There is a powerful moment after Gemma hangs up where the operator is allowed a moment silence to let out a breath and compose herself before the next calling, knowing that she has to keep going. 

Props 
 
The props help to establish setting and move the plot forward. The headset it used to communicate with Gemma.
The computers help to cast light on the operator and are used to find her location. 

Sound

The dialogue is the most important and prominent  sound.
In the background of the call, Gemma’s son can be heard and the sound of sirens.
The absence of sound is probably the most effective bit, where Gemma is given a chance to breath – the calm before the storm. 

Editing

The film uses simple match on action and cross cutting between different angles and shots of the operator. 

Cinematography

It starts with close up panning shots, going past other operators to establish the setting.
The rest of the film is compiled of close ups on the operator so that it is easy to see emotion and we know that is the main focus of the film.





Comments

Post a Comment

Popular posts from this blog

Post 11: Costume and makeup

No makeup is needed in my film, I will only be talking about costumes and provide an example. Over the entire shoot I will only need one costume for the main character. The costume will consist of: A hoodie that is black/ navy A beanie Black cargos Black and white trainers The costume will develop and use over ear headphones to help signify the inner monologue that’s commencing.   The strangers on the train will be actual strangers, but as a backup I will bring 2 other older people in their late 20s to act as them, this way I have a safety net incase actual strangers wont work.   For the mother, It will just be anything out her wardrobe, preferably muted grey colors to go along with the dullness and grey settings.      
Post a Comment
Read more

Post 13: Sound

  Script The start of the film will be here, I wont be using the diegetic sound of the area because the wind was extremely loud on practice recording every time so instead ill use mild white noise. The heart beat will be a sound i use of YouTube link attached: Fades in from black Samuel walks into the train station, on his phone texting his friends, suddenly he receives a text that seems to put a serious expression on his face. He walks over to the benches to take a seat and wait for his train. He walks onto his train, taking a seat on a table seating area on the right hand corner of the carriage against the window, filmed using a  long cut following him from behind onto his seat stopping where the table starts. He puts his headphones on, and it fills the outside sound . Inner monologue begins “I can’t believe I’ve got myself into this.” Said Samuel in a disappointed and worried tone. “I just need to get this over with and then I can be done with it. I can’t let anyone know w...
Post a Comment
Read more

Post 4: What I want to do and why

  IDEA: My main ideas is going to follow a new comers trip on a train to collect drugs and re sell them for a profit, whilst having an inner monologue of the thoughts about what he's doing and what can happen to him and how he could ruin the lives around him. SETTING: The setting would be on a train or a bus with faint background noise of the bus and the outside cars to add a sense of realism as this kind of event occurs more often than though. It would be a trip spliced into three individual scenes on different areas on the bus/ train so it would seem like the character was restless  COSTUME: My costume is going to look like the average 17 - 25 year old dress wear to show that the character is somewhat normal but is becoming involved in crime. MAKEUP:  N/A CINEMATOGRAPHY:  My short film will consist of a lot of medium/close up shots of the male character when he is on the train or bus. This is because these scenes highlight the characters emotions, i want...
Post a Comment
Read more